Jazmine sullivan insecure cast series#
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And I just love the recorded version of things. But I’ve never been one to seek out shows because music is so personal to me. No other city was making the sounds of L.A. Dre - that was a representation of my city and such a distinct sound.

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Artists like Suga Free and DJ Quik and Dr.

I remember when 2Pac died and that fueling so much pride in West Coast music. How did you experience music growing up in L.A.? As a music lover, nothing excites me more than feeling like you’re on to an artist first. And then, of course, I do my own digging for people that I love. Kier has put me on to so many new artists that I felt get the sound of the show. Was elevating up-and-comers always part of the equation? They’ll name a song and be like, “This sounds like something that should be on ‘Insecure.’” Such a high compliment. I’ve heard people say that, and it’s so flattering. Episode 8 of the last season, I always say that’s my opus because I wanted every song to represent the romanticism. I love adding music to those scenes, deciding which ones will affect how the audience may feel. Also the way we put sex scenes and Black lovemaking on the map in a new way. We highlighted female singers and rappers in a distinct way when others weren’t - I’m thinking about TT the Artist and Kari Faux in Season 1. What are you most proud of in terms of how “Insecure” has handled music? These are excerpts from our conversation. Rae recently spoke about “Insecure’s” musical legacy, her impressions of the record industry - and which song was robbed of a major nomination for next month’s Grammy Awards.

Jazmine sullivan insecure cast series#

Habermehl and Nnena - in an NPR Tiny Desk Concert filmed at Inglewood’s Hilltop Coffee + Kitchen, of which Rae is part owner.Īs the show ends, Rae plans to carry on in music with Raedio, an “audio everywhere company,” as she calls it, that includes a record label (partnered with Atlantic Records) and a music-supervision department currently at work on “Rap Sh*t,” an upcoming HBO Max series from Rae’s Hoorae Media about a pair of struggling rappers from Miami. “It’s confirmation that I’m supposed to be here and that I’m doing what I’m supposed to do.” Last week, TeaMarrr appeared with two other “Insecure” alums - B.K. “I never get more texts than when my music is on ‘Insecure,’” says TeaMarrr, a singer and rapper with a jazzy, Billie Holiday-ish lilt.

Yet the show has also served as a crucial incubator for emerging artists, including many from L.A. Artists featured on “Insecure’s” several soundtrack albums - as well as an official Spotify playlist with nearly 200,000 followers - have included established acts such as SZA, Thundercat and Jazmine Sullivan, who recorded a steamy duet called “Insecure” with Bryson Tiller for Season 2. Now she’s leaving behind a classic of her own: For five seasons, “Insecure” has showcased what the series’ music supervisor, Kier Lehman, calls “modern alternative R&B,” long on breathy vocals and vibey production that lend valuable emotional detail to the show’s layered storylines. As examples, she points to “Boomerang,” “Soul Food,” “Love Jones” and “Waiting to Exhale.”

With “Insecure,” set to conclude Sunday night with a highly anticipated series finale, Rae, 36, wanted to channel the spirit of some of the classic soundtracks of the 1990s, “when music really, really mattered in movies and television shows,” as she puts it. “I’m not always confident in the story itself.” “In anything I do, I’m very confident that the music will assist the storytelling,” she adds, then laughs.

“That was the only thing I was certain of,” says the actor, writer and producer behind the beloved HBO series about a group of young Black women navigating work, romance and friendship in South Los Angeles. Before she had a finished script, a committed cast or even a solid sense of where her characters might go, Issa Rae knew that “Insecure” would have a killer soundtrack.